REL 的宗旨
REL Acoustics (以下簡稱 REL )是一間專門製造低音喇叭的音響製造公司。就是這樣，沒有生產其他的品項了。換句話說，沒有什麼可以偷走他們的注意力。畢竟，製造低音喇叭就是他們所擅長一切。所以，這也是為什麼REL能在自己最擅長的領域稱霸。
REL 的員工每天來工作都只追求一個目標，盡可能產生最原始、完美、純淨的聲音，從每個音符間捕捉音樂家的初始意圖。 REL 使用最優質的材料，採用最嚴格的施工要求，並宏觀的考慮問題。 REL 以執著的熱情和活力追求完美的聲音體驗。
REL 相信聲音比任何其他感覺都更能打動人。而且，正是通過完美的低音喇叭整合聲音，才能讓其他一切變得更好。並且，最終，通過做好這件事，創造出更獨特品質的音樂。
REL 的故事
從一開始，這就是一種源於對更完美聲音體驗的渴望。它始於一個人對當時可用的低音喇叭性能的不滿。對更好的追求，對完美聲音的追求就是 REL 背後的驅動力。它通過一直努力的演進而堅持下去，它推動了技術的巨大進步和設計的創新。釋放出了偉大音樂和電影中蘊含的力量、戲劇性和樂趣。
1990 – HIGH LEVEL INPUT:
Key to this evolution was the adoption early on of a High Level connection, one that derives its input signal from the final output stage of an amplifier or receiver. This produces a seamless quality that precisely matches the sound being fed to your loudspeakers.
1998 – ABC INPUT FILTERS:
These early predecessors to the modern REL filter technology used complicated banks of rotary switches to set crossover points but while they were slow by modern REL standards they were miles ahead of the competition and served us well for almost a decade.
1998 – HIGH CURRENT AMPLIFIERS:
Current, not voltage, is what produces movement in large high powered subwoofer drivers. Our engineers ensure that our designs are incredibly robust and produce tons of current which means they not only reproduce the attack and body of a note, but also the echoes as sound dies away. All amplifiers are not the same and ours are designed specifically to reproduce the lowest of bass notes.
2005 – THE MODERN ERA:
With new ownership came fresh new ideas, efficient global sourcing of components, Silicon Valley engineering and a renewed emphasis on performance, reliability and design. Compared with products produced before this modern RELs play on average twice as loud, are twice as fast, cost far less for similar performance, and look far crisper and more modern than their predecessors.
2007 – NATURALSOUND FILTERING:
Modern REL input filters are exceptionally fast and are the true secret to producing perfect, seamless integration of the main speakers with REL subs. Simple, fast and cleverly designed to eliminate the bumps and discontinuities of competitors, these filters are the secret ingredient buried inside every REL.
2010 – MUSICAL INSTRUMENT GRADE BRACING:
All modern REL designs use heavy duty bracing designed to break up cabinet resonance modes. Many competitors use little to no bracing and those that do frequently use a simple window pane brace that creates massive turbulence and noise inside the cabinet eventually resulting in blurring of detail. On our costlier models, we employ much more elaborate bracing and materials improve all the way up to laminated hardwood braces on our Reference grade products. Proper bracing breaks up boomy cabinet resonances that destroy the correct pitch of instruments far outside the bass region.
2010 – CARBON FIBRE DRIVER CONES:
With the advent of Gibraltar, we moved decisively to the head of the class with the Holy Grail of speed ,stiffness and self-quieting in a virtually perfect bass driver. The first reference series product to emerge from the modern REL was called the G-1 and in its first three months outsold the entirety of its predecessor’s 8 year long career. Since that debut, we use carbon whenever budget permits as it imparts speed, clarity and control down low that is unparalleled.
2010 – UTRASPEED FILTERS:
These new Reference Series filters are as fast as theory permits a filter to be and many times faster than most competitors. Even something as arcane as setting correct phase becomes as clear and evident as turning on a light switch.
2014 – ZERO COMPRESSION WIRELESS:
Perhaps the name doesn’t fall trippingly from the tongue, however at a time when competitors were using antiquated Bluetooth-based systems wholly unsuitable for high end audio applications, we were setting the industry on its ear. First Longbow, using all discrete components—dedicated A/D encoders, D/A decoders and multiple dedicated power supplies and analog filters– showed how unbelievably great sounding wireless without the effects of digital compression could sound. One year later Arrow took the idea of wireless being sent broad bandwidth without the crutch of compression/expansion schemes and brought the price down by half. At REL, there is a restless urgency and a passion to get things right, then to see how far we can push these benefits down market so that the greatest number of people are helped by our team.
2016– NO. 25 ANNIVERSARY MODEL:
No. 25 commemorates and celebrates our quarter century of building the finest sub bass systems, while pointing to the future and our next 25 years as it employs our most advanced design, engineering and craftsmanship. The No. 25 combines the power of an ultra-reliable 1,000 watt NextGen3 Class D amplifier, with a lightweight and perfectly balanced carbon fibre 15” driver. All this is controlled by our legendary filter sets and proprietary crossovers with 2 separate parametric equalizers permitting remarkably flat in-room response, while maintaining the speed and resolution for which modern RELs have become known for. Learn more
2018– DEBUT OF SERIE HT & HT-AIR WIRELESS:
Serie HT was designed specifically to answer the challenge of creating affordably priced, exceptionally dynamic, pure home theater powered subwoofers. With the ideal combination of a lightweight, modern CarbonGlas™ drivers coupled to a powerful Class D amplifier that runs cool, these subwoofers produce extraordinary dynamics. For REL owners already enjoying our Reference, Serie S and T/i subwoofers designed for both 2-channel and theater use, the HT series was designed to supplement their system’s .1/LFE output to produce extremely high output for chest rumbling home theater special effects.
We’ve stripped back the High Level feature from the Arrow™ wireless to provide a wireless system dedicated for Home Theater buffs, the HT-Air™. Though it is affordable, it retains our single-minded focus on delivering zero compression and maximum dynamics.
